![]() Visions of music-making and sound feature prominently in the decoration programs of all four manuscripts, yet there is great variety in their purpose, function and meaning. It discusses a selection of images of music and sound from four temporally and/or geographically distinct medieval Hebrew manuscripts: the Parma Psalter, a thirteenth-century book of psalms produced in Italy the fourteenth-century Barcelona Haggadah, a liturgical manuscript for the festival of Passover produced in Spain the Tripartite Mahzor, a fourteenth-century Ashkenazic liturgical cycle from south Germany and the Oppenheimer Siddur, an Ashkenazic book of daily prayers made by a scribe-artist for private family use in 1471 in Germany. This paper was presented at the Colloque Musiconis in Chartres, France in 2015, with the collection published in 2021. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |